With a dramatic WWII love story woven throughout, JoAnn Ross's women’s fiction debut is a generational saga full of sisterly affection and rivalry, perfect for fans of Susan Wiggs, Mary Alice Monroe and Lisa Wingate.
When conflict photographer Jackson Swann dies, he leaves behind a conflict of his own making when his three daughters, each born to a different mother, discover that they’re now responsible for the family’s Oregon vineyard—and for a family they didn’t ask for.
After a successful career as a child TV star, Tess is, for the first time in her life, suffering from a serious identity crisis, and renewed resentment around losing her father all over again.
Charlotte, brought up to be a proper Southern wife, gave up her own career to support her husband's political ambitions. On the worst day of her life, she discovers her beloved father has died, she has two sisters she never knew about, and her husband has fallen in love with another woman.
Natalie, daughter of Jack’s longtime mistress, has always known about her half sisters. And she can’t help feeling that when Tess and Charlotte find out, they’ll resent her for being the daughter their father kept.
As the sisters reluctantly gather at the Maison de Madeleine to deal with their father's final wishes, they become enchanted by the legacy they've inherited, and by their grandmother’s rich stories of life in WWII France and the wounded American soldier who would ultimately influence all their lives.
Barnes & Noble
Genre: Women's Fiction
Format: Kindle ARC
No. of Pages: 384
Date of Publication: September 7, 2021
My Rating: 4 Stars
Jackson Swann has passed away and he leaves his inheritance, a very successful vineyard in Oregon, to his three daughters. Not only have Tess, Charlotte and Natalie been born to different mothers, they had never met one another. All from different walks of life they now all responsible for the vineyard as they struggle to get to know each other.
Tess had always had a successful television career, but lately finding roles has not been easy, leaving her struggling with her life. Then Charlotte put her husband first in her life, even giving up a successful career, only to end up being betrayed. Natalie, a French photographer, is the only one who knew she had sisters and she is worried thatthey won't accept her.
Not only are the sisters spending time getting acquainted, they are spending time with their grandmother. As she regales them with a snapshot of her life and her relationship and marriage to their grandfather, she tells them about her role during WWII in France. Her stories are amazing, if not heartbreaking at times.
This engaging read was a wonderful dual-timeline story with delightful characters and stories. While Charlotte's marital life hits the wall, Tess and Natalie each have a chance at romance. The stories of their lives, and their grandmother's past, all come together in an engaging read. Meanwhile, as Tess is in the entertainment business, she sees their grandmother's story as one worth sharing, thus the family pulls together even more.
Many thanks to HQN Books and to NetGalley for this ARC for review. This is my honest opinion.
Please enjoy the following excerpt:
Conflict photographer Jackson Swann had traveled to dark and deadly places in the world most people would never see. Nor want to. Along with dodging bullets and mortars, he’d survived a helicopter crash in Afghanistan, gotten shot mere inches from his heart in Niger and been stung by a death-stalker scorpion while embedded with the French Foreign Legion in Mali.
Some of those who’d worked with him over the decades had called him reckless. Rash. Dangerous. Over late-night beers or whatever else passed as liquor in whatever country they’d all swarmed to, other photographers and foreign journalists would argue about whether that bastard Jackson Swann had a death wish or merely considered himself invincible.
He did, after all, rush into high-octane situations no sane person would ever consider, and even when the shit hit the fan, somehow, he’d come out alive and be on the move again. Chasing the next war or crisis like a drug addict chased a high. The truth was that Jack had never believed himself to be im-mortal. Still, as he looked out over the peaceful view of rolling hills, the cherry trees wearing their spring profusion of pink blossoms, and acres of vineyards, he found it ironic that after having evaded the Grim Reaper so many times over so many decades, it was an aggressive and rapidly spreading lung cancer that was going to kill him.
Which was why he was here, sitting on the terraced patio of Chateau de Madeleine, the towering gray stone house that his father, Robert Swann, had built for his beloved war bride, Madeleine, to ease her homesickness. Oregon’s Willamette Valley was a beautiful place. But it was not Madeleine’s child-hood home in France’s Burgundy region where much of her family still lived.
Family. Jack understood that to many, the American dream featured a cookie-cutter suburban house, a green lawn you had to mow every weekend, a white picket fence, happy, well-fed kids and a mutt who’d greet him with unrestrained canine glee whenever he returned home from work. It wasn’t a bad dream. But it wasn’t, and never would be, his dream.
How could it be with the survivor’s guilt that shadowed him like a tribe of moaning ghosts? Although he’d never been all that introspective, Jack realized that the moral dilemma he’d experienced every time he’d had to force himself to re-main emotionally removed from the bloody scenes of chaos and death he was viewing through the lens of his camera had left him too broken to feel, or even behave like a normal human being.
Ten years ago, after his strong, robust father died of a sudden heart attack while fly-fishing, Jack had inherited the winery with his mother, who’d professed no interest in the day-to-day running of the family business. After signing over control of the winery to him, and declaring the rambling house too large for one woman, Madeleine Swann had moved into the guesthouse next to the garden she’d begun her first year in Oregon. A garden that supplied the vegetables and herbs she used for cooking many of the French meals she’d grown up with.
His father’s death had left Jack in charge of two hundred and sixty acres of vineyards and twenty acres of orchards. Not wanting, nor able, to give up his wanderlust ways to settle down and become a farmer of grapes and cherries, Jack had hired Gideon Byrne, a recent widower with a five-year-old daughter, away from a Napa winery to serve as both manager and vintner.
“Are you sure you don’t want me to call them?” Gideon, walking toward him, carrying a bottle of wine and two glasses, asked not for the first time over the past weeks.
“The only reason that Tess would want to see me would be to wave me off to hell.” In the same way he’d never softened the impact of his photos, Jack never minced words nor romanticized his life. There would be no dramatic scenes with his three daughters—all now grown women with lives of their own—hovering over his deathbed.
“Have you considered that she might want to have an opportunity to talk with you? If for no other reason to ask—”
“Why I deserted her before her second birthday and never looked back? I’m sure her mother’s told her own version of the story, and the truth is that the answers are too damn complicated and the time too long past for that discussion.” It was also too late for redemption.
Jack doubted his eldest daughter would give a damn even if he could’ve tried to explain. She’d have no way of knowing that he’d kept track of her all these years, blaming himself when she’d spiraled out of control so publicly during her late teens and early twenties. Perhaps, if she’d had a father who came home every night for dinner, she would have had a more normal, stable life than the Hollywood hurricane her mother had thrown her into before her third birthday.
Bygones, he reminded himself. Anything he might say to his firstborn would be too little, too late. Tess had no reason to travel to Oregon for his sake, but hopefully, once he was gone, curiosity would get the better of her. His girls should know each other. It was long past time.
“Charlotte, then,” Gideon pressed. “You and Blanche are still technically married.”
“Technically being the operative word.” The decades-long separation from his Southern socialite wife had always suited them both just fine. According to their prenuptial agreement, Blanche would continue to live her privileged life in Charleston, without being saddled with a full-time live-in husband, who’d seldom be around at any rate. Divorce, she’d informed him, was not an option. And if she had discreet affairs from time to time, who would blame her? Certainly not him.
“That’s no reason not to give Charlotte an opportunity to say goodbye. How many times have you seen her since she went to college? Maybe twice a year?”
“You’re pushing again,” Jack shot back. Hell, you’d think a guy would be allowed to die in peace without Jiminy Cricket sitting on his shoulder. “Though of the three of them, Char-lotte will probably be the most hurt,” he allowed.
His middle daughter had always been a sweet girl, running into his arms, hair flying behind her like a bright gold flag to give her daddy some “sugar”—big wet kisses on those rare occasions he’d wind his way back to Charleston. Or drop by Savannah to take her out to dinner while she’d been attending The Savannah School of Art and Design.
“The girl doesn’t possess Blanche’s steel magnolia strength.”
Having grown up with a mother who could find fault in the smallest of things, Charlotte was a people pleaser, and that part of her personality would kick into high gear whenever he rolled into the city. “And, call me a coward, but I’d just as soon not be around when her pretty, delusional world comes crashing down around her.” He suspected there were those in his daughter’s rarified social circle who knew the secret that the Charleston PI he’d kept on retainer hadn’t had any trouble uncovering.
“How about Natalie?” Gideon continued to press. “She doesn’t have any reason to be pissed at you. But I’ll bet she will be if you die without a word of warning. Especially after losing her mother last year.”
“Which is exactly why I don’t want to put her through this.”
He’d met Josette Seurat, the ebony-haired, dark-eyed French Jamaican mother of his youngest daughter, when she’d been singing in a club in the spirited Oberkampf district of Paris’s eleventh arrondissement. He’d fallen instantly, and by the next morning Jack knew that not only was the woman he’d spent the night having hot sex with his first true love, she was also the only woman he’d ever love. Although they’d never married, they’d become a couple, while still allowing space for each other to maintain their own individual lives, for twenty-six years. And for all those years, despite temptation from beautiful women all over the globe, Jack had remained faithful. He’d never had a single doubt that Josette had, as well.
With Josette having been so full of life, her sudden death from a brain embolism had hit hard. Although Jack had im-mediately flown to Paris from Syria to attend the funeral at a church built during the reign of Napoleon III, he’d been too deep in his own grief, and suffering fatigue—which, rather than jet lag, as he’d assumed, had turned out to be cancer—to provide the emotional support and comfort his third daughter had deserved.
“Josette’s death is the main reason I’m not going to drag Natalie here to watch me die. And you might as well quit playing all the guilt cards because I’m as sure of my decision as I was yesterday. And the day before that. And every other time over the past weeks you’ve brought it up. Bad enough you coerced me into making those damn videos. Like I’m some documentary maker.”
To Jack’s mind, documentary filmmakers were storytellers who hadn’t bothered to learn to edit. How hard was it to spend anywhere from two to ten hours telling a story he could capture in one single, perfectly timed photograph?
“The total length of all three of them is only twenty minutes,” Gideon said equably.
There were times when Jack considered that the man had the patience of a saint. Which was probably necessary when you’d chosen to spend your life watching grapes grow, then waiting years before the wine you’d made from those grapes was ready to drink. Without Gideon Byrne to run this place, Jack probably would have sold it off to one of the neighboring vineyards years ago, with the caveat that his mother would be free to keep the guesthouse, along with the larger, showier one that carried her name. Had he done that he would have ended up regretting not having a thriving legacy to pass on to his daughters.
“The total time works out to less than ten minutes a daughter. Which doesn’t exactly come close to a Ken Burns series,” Gideon pointed out.
“I liked Burns’s baseball one,” Jack admitted reluctantly. “And the one on country music. But hell, it should’ve been good, given that he took eight years to make it.”
Jack’s first Pulitzer had admittedly been a stroke of luck, being in the right place at the right time. More care had gone into achieving the perfect photos for other awards, but while he admired Burns’s work, he’d never have the patience to spend that much time on a project. His French mother had claimed he’d been born a pierre roulante—rolling stone—al-ways needing to be on the move. Which wasn’t conducive to family life, which is why both his first and second marriages had failed. Because he could never be the husband either of his very different wives had expected.
“Do you believe in life after death?” he asked.
Gideon took his time to answer, looking out over the vine-yards. “I like to think so. Having lost Becky too soon, it’d be nice to believe we’ll connect again, somewhere, somehow.” He shrugged. “On the other hand, there are days that I think this might be our only shot.”
“Josette came again last night.”
“You must have enjoyed that.”
“I always do.”
Excerpted from The Inheritance by JoAnn Ross, Copyright © 2021 by JoAnn Ross. Published by arrangement with Harlequin Books S.A.
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